Every knot is a sentence.
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The spiral hitch — where tension becomes texture.
Every cord a possibility before the first knot.
Friday mornings, better with fiber theory.
A commission for The Alcott Hotel, Portland.
The Josephine knot — Issue 52's centerfold.
Iron mordant, clay bath, two hours. Permanent.
The kit that hasn't changed in 12 years.
Midway is where the real decisions happen.
Sold out by 11am. Issue 61 explains why.
Three Issues, Open Wide
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Each card flips to reveal the full table of contents. No paywalls, no excerpts — the real thing.
The Weight of Warp
Feb 21, 2026
- 01Why warp tension determines everything
- 02Interview: Saoirse Brennan on loom-to-wall scaling
- 03Technique: The wrapped warp join, illustrated
- 04Three fibers worth warping with in 2026
- 05Reader work: Mireille Fontaine's hotel lobby piece
Knot & Color
Feb 14, 2026
- 01Natural dye fastness — what the tests actually show
- 02Iron mordant vs alum: a side-by-side on cotton rope
- 03Technique: The Josephine knot in overdyed cord
- 04Studio visit: Priya Venkataraman's dye shed, Oaxaca
- 05Sourcing: Three natural dye suppliers with honest reviews
Selling Your Work
Feb 7, 2026
- 01Juried fair applications: what selectors look for
- 02Pricing large-scale commissions without underselling
- 03Interview: Tomás Guerrero on boutique hotel sourcing
- 04Photography that sells fiber art online
- 05The invoice clause that saved one artist $3,200
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